Durham Book Rally Poster

Been a while since I’ve posted here – sorry folks – of course, you can find me every Thursday over on OkayGreat.

Anyway, I wanted to share a poster I did recently for the good people over at Urban Durham Realty.  They organized an event to raise money and gently used books for the Durham Public Schools and asked me to help them promote with a poster.  For some reason, which I’ll probably never understand, as they were telling me about the idea, the first thing that popped into my head was a pirate ship being suspended by a huge flying book.  They said that they had no preference about what the poster looked like, as long as it had all the relevant info on there, so I pitched the idea to them and they said go for it.

poster

I love it when clients can totally trust the designer – I’m under no illusion that this is an easy thing for them, but it’s certainly an honor when it does happen.  And honestly, I think it’s not only an easier path for me, the designer, but also for the client as well.  Letting me breathe and create freely often allows more interesting, fun, and creative solutions to emerge, and thus, more visitors, clicks, purchases, whatever.  So a big thank you to UDR for being such an awesome client.  Go buy a house from them (they are good at that too, I know from experience).

Posted in Durham, Personal Work, Uncategorized | Tagged , , , , , | Leave a comment

The DOUGHMAN is for lazy people too

(mostly cross posted at okaygreat)

So not too long ago I reminded all of my fellow Durhamites that the third annual DOUGHMAN is coming (and yes, it must always be capitalized – style guide y’all). A lot of you were probably thinking, well, that’s pretty damn cool, and all the eating stuff sounds awesome, but I could do without all the running and biking and water activity-ing and the what-not. Well fear not couch crusaders, because the DOUGHMAN is for lazy people too.

On the evening of May 29th, after all the competitive eating has completed, and those participating have had enough time to digest, the DOUGHMAN hEArTS Durham Banquet will take place at the Durham Athletic Park. Tons of great local restaurants (Piedmont, Toast, Fosters, Tosca, Locopops, etc) will be offering various dishes and local beer (Foothills, CBC, etc) will be flowing as well. Music, good people, good food, and a great cause – the Durham Inner City Garden and SeeSaw Studios will be the benefactors of the event.

The poster was an extension of the race poster’s aesthetic, so that a viewer who has seen the race poster around town for the last month or so will easily recognize that this is a new poster.  The orientation changed, making it immediately noticeable that although it’s the same look and feel that it’s a new poster.  Knowing the poster was going to be logo heavy with all the various sponsors and restaurants, I decided to make the top half fairly heavy as well to try to keep balance.  Again, similar to the race poster, I wanted to create something that would demand your attention and force you to have to go up and read it, but that would also get the main information out there quickly.  I’m looking forward to seeing it around town.

Pick up a ticket soon, cus they will most definitely sell out. See you all there, fat & happy.

(click poster to enlargificate)

Posted in Editorial, Personal Work | 1 Comment

Doughy Goodness

(cross-posted at OK Great)
doughmanRacePoster-FINAL
Gear up Durhamites, The DOUGHMAN is coming on May 29, 2010.

For those of you that don’t know about the DOUGHMAN, it’s probably the coolest event you’ll ever hear about.  It’s the world’s premiere team-relay-quadrathalon-slash-eating-contest and it’s coming back to Durham for the third year after a ridiculously successful 2009 race which was featured on Man vs. Food.  This local tour-de-gastronomic-force will feature some of our favorite Durham delights like Hog Heaven, Local Yogurt, Dain’s, LocoPops, and more.  Each leg of the relay journey involves casually enjoying wolfing a meal at one of these fine establishments and then heading off on an athletic event (running, biking, ‘water activity’) and then meeting the whole team for a final dessert course and sprint to the finish line.

The DOUGHMAN is also a charity event, and has raised over $12,000 for the Durham Inner City Gardeners (DIG) through sponsorship and donations over the last two years.  This  year, SeeSaw Studio will also be a beneficiary of the event.

This year I had the honor of being the creative director for the group and thus creating all the deliverables for the event.  After reworking their logo, Michelle Fereck (my volunteer helper) and I tackled the race poster (above, click to embiggify).  More good design will be on the horizon as well as we continue to develop materials for the event.  I’m really psyched to be working with them and hope that my sponsorship of the event will get me some good exposure around Durham.  Plus it’s a fun event and a great cause, so why not lend the help?

If you are interested in participating, rally up a team of three of your pals, head over to www.doughman.org starting on March 1, and sign up your team.  And start training!

And if you’re not into the whole athletic side of things, but want to get involved with the whole eating delicious local food side of things, the DOUGHMAN will also be hosting their second annual Local Foods Banquet at Durham Central Park Pavilion on the Saturday evening following the race – more deets about that will be coming soon on their website.

Posted in Design, Durham | Tagged , , , | Leave a comment

Olympic Posters and the Glorious Man

Posters from Antwerp, 1920; Paris, 1924; Helsinki, 1940

Posters from Antwerp, 1920; Paris, 1924; Helsinki, 1940

Posters from Tokyo, 1964; Mexico, 1968, and Pictograms from Munich, 1972

Posters from Tokyo, 1964; Mexico, 1968, and Pictograms from Munich, 1972

It’s Olympic season, and for a design nerd like me, that means looking at this year’s posters and graphics and seeing how they stack up to the greats.  It’s the designers’ conventional wisdom that work like Kamekura’s 1964 Tokyo posters, Aicher’s 1972 Munich Pictograms, and Wyman’s pop-art-infused 1968 Mexico emblem are among the most celebrated, but sometimes conventional wisdom is meant to be challenged.  And that’s precisely what David Ross did last week on the Colbert Report.  Ross is certainly no slouch when it comes to art; he’s curated for the SFMOMA and the Whitney, among others.  But his contention on the Colbert Report last week got me thinking a bit more curatorially (is that a word?) about what the point of the Olympic posters is supposed to be.  It’s worth a full watch, but Ross’ general point was that starting around the mid-60’s Olympic posters pivoted sharply from the Greek-inspired archetypal Glorious Man to more of a corporatized logo depiction, devoid entirely of strength, perseverance, and pride that had for so long been the classical depiction of the Games.  And to the detriment of the Olympics, according to Ross.  He believes that the loss of the Glorious Man and the depiction of his Glorious Ass Kicking of Power and Glory makes the more modern Olympic poster a failure.

The Colbert Report Mon – Thurs 11:30pm / 10:30c
David Ross
www.colbertnation.com
Colbert Report Full Episodes Political Humor Skate Expectations

I thoroughly disagree.  Let me first say that I absolutely love the Olympics.  I can easily dominate a 5-hour women’s hockey and curling broadcast, no problem.  I think it’s great.  But I don’t think it’s great because there is some Glorious Man that is displaying his dominance.  And I don’t think it’s great because it’s about seeing the USA kick some every-other-country-ass.  I think the Olympics is more about the finesse and subtlety these days than about brute strength.  It’s more about the sub-plot and the micro-stories than about the overall medal count.  These athletes have proven that they are the perfect example of their sport, indeed the perfect example of humans ability to do said sport, and that’s the beauty of it.  The fact that not even 1/10th of a second can be the difference between a gold medal and a missed spot on the podium in downhill skiing, where that difference represents mere inches over the course of a 1.something mile course is the beauty.  The fact that the best men and women of any particular sport are progressing that sport steadily and incrementally across the globe (see: 720s, 1080s, double-corked McTwist 1260s) is the beauty.

And that in and of itself is a whole lot harder to portray effectively as a poster or an iconic design than the Glorious Man.  And that’s why I actually do agree with the designers’ conventional wisdom from above.  The Games are meant to be branded indefinitely, as a point in time where athletes competed at the top of their sport and perfection (for that particular time) was, ideally, achieved.  So the posters and imagery should reflect that.  Simple, minimal, indefinitely memorable design is the equivalent I believe to what the athletes themselves are striving for.  A simplest solution to a difficult problem in that time.  Whether it’s the tightest and cleanest triple lutz or the tightest and cleanest logo, designers of the Olympics and the athletes themselves are all pushing for perfection.

I do think that the more recent campaigns have been less successful.  Many of the more recent imagery has been mashed into androgynous, hyper-politically correct sprites or cartoons that lose all meaning or perhaps try too hard and end up falling short (see Albertville, 1992, Nagano, 1998, or, dear god, that awful thing from Atlanta, 1996).  This year, I’m happy to see that the individual sports posters are actually quite nice.  Vancouver has added a little bit of character and life back into the individual sport posters, although I just can’t really get behind the logo itself.  They had to go and add that little smiley in there didn’t they.

All that said, Stephen Colbert’s poster by Shepherd Fairey is hilariously perfect in its own Glorious way.

GO USA!  DEFEAT THE WORLD!

Posted in Design | Tagged , , , , , , , | Leave a comment

Sunday precedes Monday, idiot.

So, thanks to some eagle-eyed Flickr users, I realized that my 2010 calendar was a day ahead of itself.  Or behind, or something – either way, the dates were wrong.  This was fixed a while ago and anyone that was sent a poster recently got the proper dates.  Anyone who got the wrong dates has been notified and had a new one mailed.

Thanks for supporting me and it’s not to late to buy one for yourself!

In totally unrelated news, I’ve been seriously slacking on the posting front here since I’ve started writing for OK Great.  I do hope my dozen of followers will forgive me – more content will be coming.  I usually write at OK Great on Thursdays, so you can find me there nerding out over math or cool posters or cool posters that have math or other geeky-designy stuff there.

Posted in Uncategorized | Leave a comment

2010 Calendar Is Available!

Picture 137

I swear I finished it before 2010.

So what started out as a fun personal project last year is now officially a yearly tradition.  I am very happy with the way my quarterly calendar for the new decade has turned out.  This past year I think was a definitive year for me in how I look at and evaluate design, with a heavy and hearty emphasis on typography.  It was the year that I had that moment that all budding designers have (or at least I assume they have), when they realize that what being a designer is all about is understanding type.  I certainly cannot claim however, that I now fully understand type, only that what will no doubt be a lifelong obsession has begun in earnest at some point in the last twelve months.

So with that in mind, I decided to do my calendar this year with a focus on type.  I spent some time doing some research on typographers that had inspired me over the course 2009: Jonathan Hoefler and Tobias Frere-Jones, Si Scott, Jessica Hische, Herb Lubalin, Non-Format, and of course anything that comes out of John Boardley’s keyboard.  Then I sat down with my sketchbook for a while and wrote and drew and tried to come up with some bases for each of my four posters.

For the first poster, January through March, I was heavily inspired by the work of Si Scott and Nicolas Alexander and wanted to at least provide one piece of the four that was based on hand-drawn type.  Although I used Gotham for the backbone of this piece, the overall design was done with a set of microns over a long night and a couple glasses of scotch.

Picture 138Picture 142

For the second quarter, I wanted to do a piece that was reminiscent of a ye olde style woodtype poster.  Lots of Clarendon fonts and hand distressing were cast alongside the most ridiculous little story/event I could dream up that somehow included the words April, May, and June.  I think this poster, which I have framed in my living room, also had a lot to do with where I was going with this piece.

Picture 139Picture 143

Next up was a piece which actually is rooted in a piece of art that I think I probably did in 6th grade.  I remember doing ‘pop art’ pieces where we would meticulously draw horizontal lines until they hit little shapes and follow around the shape until the other side and then continue to the far side of the piece.  Instead of circles and squares, it’s Gotham again.  I know that makes no sense, but it was 6th grade.

Picture 140Picture 144

Finally, the October through December piece reaches back to my mathematical roots.  I tried to create letters that followed simple geometric formulas – circles, half circles, lines, 45 degree angles – and then use that type not only as the focus of the piece, but also as a textural background as well.

Picture 141Picture 145

So with the start of a new year, and the release of this year’s calendar, I’ve also opened my own store, which you can access here or by clicking the newfangly link over there on the top right of the sidebar.  The calendar is now on sale!  So if you are so inclined, feel free to mosey on over to the shop and grab yourself a copy.  They are a totally affordable $35 for four posters!  Or if you prefer, you can pick up one at a time at $10 a pop.

Posted in Personal Work, typography | Tagged , , , , | 4 Comments

Happy New Year

2010 Thanks to everyone who has stopped by this year!  More great stuff to come in 2010, including this years’ calendar, which I’m putting the finishing touches on and will have up in the next few days.  There are a few sneak peeks of the calendar progress on my flickr.

If you haven’t yet, feel free to subscribe here.

And you really should follow me on twitter too, here.

Posted in Uncategorized | Tagged , , , | Leave a comment

Speck on a Speck on a Speck

I remember as a kid going to the IMAX to see Cosmic Voyage, probably around when I was 12 or so.  I don’t remember a lot about that time, but I very clearly remember watching that scene where the camera progressively zooms outward from the Earth and Morgan Freeman guides us through a trip through the galaxy to the far reaches of the universe.  That whole speck on a speck thing really stuck with me.

Not too long ago, I saw another video, Powers of 10 (below), produced by The Office of Charles and Ray Eames for IBM.  Although I can’t say I like the narration more than Morgan Freeman (who I love), for some reason this one has a very appealing aesthetic which brought me back to those feelings I had as a kid at the Science Center so many years ago.

So I was really excited today to stumble upon a modern version of the same essential video produced recently by the American Museum of Natural History for a new exhibit: Visions of the Cosmos: From the Milky Ocean to an Evolving Universe. The movie is called The Known Universe; it’s the same theory as Powers of 10 – start out on Earth and then gradually move outward through space and time until you reach the end of the known universe, the afterglow of the Big Bang (I love that – the afterglow).  Except for one big difference: this video is meticulously produced to reflect precise scientifically-accurate measurements and research and also benefits from modern production quality as well.  It’s essentially a map.  I also would mention that the soundscape is a touch more pleasing than Powers of 10.  It also includes other tidbits not originally in Powers of 10 or Cosmic Voyage like the haze of artificial satellites surrounding Earth and the order and structure of the outer limits of the universe.  Volume up, HD, full screen, play:

(via David Airey via Kottke)

Posted in film | Tagged , , , , , | Leave a comment

Okay, What?

Screen shot 2009-12-15 at 9.46.27 AM

Big news in the blog-o-sphere today.  I’ll be joining OK Great as a contributor!!

I’m really really excited to be joining this team of art, design & culture warriors.  I’m going to be a correspondent with a local (Durham) twist in addition to the general goodness you know and love over at OKG.

So, I’m sure my army of readers (all dozen of you) are wondering what will happen to this fair blog.  Well rest easy, because I’m going to continue to write here as well, however the focus may change a bit.  Nebulous Thoughts will continue to be an outpost for more long-form critiques and insights into the more academic side of the design world, and will also focus more on my own work and process.  OK Great will continue to do what it does best, which is to serve up daily doses of amazingly talented people and the work that they do.

So before you leave, subscribe to Nebulous Thoughts here, and follow me on Twitter here, then head over to OK Great and say hello there!  My first post over there should be up by the end of the week.

Posted in News | Tagged , , | 1 Comment

Monday Awesome: Xmas + Guitar Hero

Two things which I’m not entirely familiar with, being a Jew with no Game Consoles.  But this is amazing.  Read more about it here.

Posted in Awesome Monday | Tagged , , , , | Leave a comment
  • RSS
    rule
    RSS chatter portfolio photography
  • rule
  • Hello

    I’m Michael Faber, a freelance graphic designer in Durham, North Carolina with an interest in print design, branding, typography, photography, dogs, cooking, letterpress, and a bunch of other goodness. I love talking design so if you have a project in mind or just want to chat about the relative merits of postmodernist typography or traditional Southern cuisine (I’m a Western NC barbeque guy - please don’t hold it against me), feel free to contact me.

  • rule